give me a daisy

~ ~ ~ ~ read ~ write ~ look ~ listen ~ create

not completely exploded: Saul Bellow via Counting Crows

When I think back, it seems the reading came first. It had to have come first. But no; that’s not right. Listening came first: listening to other people reading to me…listening to all the stories. Then came learning to read.

In the beginning, I really did read about Dick and Jane and Sally and Spot. Later I read the Black Stallion books by Walter Farley. I can’t recall a time when I didn’t have a library card, so I always had books to read. Eventually I noticed some books in the bookcase in the living room. One was A Tree Grows in Brooklyn by Betty Smith. It wasn’t until after I devoured the book that I learned it was banned by the Catholic Church, in which I happened to be being raised. Don’t know why my parents had it. But knowing the book was banned wouldn’t have stopped me from reading it.

By then I was probably writing, too. I dabbled in short stories and poetry, but what I primarily wrote were plays. Yes, plays were the thing for me during adolescence and into high school. In the sixth grade, I wrote, cast, and directed three plays. In high school, I moved on to writing a “novel” in longhand in four shorthand notebooks that were passed around among my classmates.

At 16, I got a job in a library where I had time and opportunity to come in contact with plenty of books I probably wouldn’t have otherwise. The Spark of Life by Erich Maria Remarque, author of All Quiet on the Western Front (which I have not read) was so arresting I couldn’t get the images out of my head. I searched for a copy of it for years (just like I searched for a copy of No Sun in Venice by the Modern Jazz Quartet). Finally found one at a used bookstore in Sonoma! I still have it.

Can’t remember when I stopped writing plays, but I continued to read them from high school through the 80s. No Exit (Sartre). Waiting for Godot (Beckett). Sam Shepard wrote a lot of plays, and I read a lot of them. It worked out. Is publishing plays for people to read as common now as it was back then? I don’t look for them, so I don’t know.

I had a fairly long poetry phase that lasted beyond playwriting, but I haven’t written poetry in some time. Poetry as a form seems less alien to me than plays. But I think you have to (or you do, anyway) enter a particular unhurried state of mind and perception in order to write poetry, if not to read it. Some days that’s appealing to me, abstractly.

In college, I read so much good fiction. Saul Bellow, John Updike, Kurt Vonnegut, John Irving, J.D. Salinger, Joyce Carol Oates…these were some of the authors I kept going back to. As did my friends. We talked about what we were reading (and talked and talked and talked). My story about that period of time is that yes, we were young and somewhat ridiculous, but we were also passionately interested in ideas. We cared about what it meant to live a life. We tried to home in on what’s important, on what really matters. It felt like that was what we were supposed to do in college. Is that true? Or was it our age…or the age?

Aside from the high school attempt, I have had two novels in progress since the 90s. One is essentially complete; the other about two-thirds. I haven’t actively worked on either one in nearly 10 years. I don’t exclusively read books about the brain and behavior, but I almost exclusively read non-fiction now. This is the longest period of time since I’ve been able to read and write fiction that I haven’t been doing it. I’ve been noticing these pieces missing from my life for a while and more recently lamenting the loss. A yearning to get them back—or get back to them—has been steadily infiltrating my stream of consciousness.

The other day, The Rain King, a song by Counting Crows, came around in the rotation on my iPod, and although I’ve been listening to this song since it was released in the 90s and always knew what it was alluding to, the mention of Henderson got my attention this time. Henderson the Rain King is one of the books I read back in the day when one of my friends and I were on a Saul Bellow kick. This line from Herzog (1964) is among my all-time favorite quotes:

After hearing the Counting Crows song, I considered taking a stab at reading or rereading all of his work—which to the best of my knowledge includes 14 novels and novellas, four short story collections, and one play.

I don’t know if I’ll achieve that objective, but I found some writing about him in various publications that definitely amped up my interest. I recently obtained a copy of Collected Stories, published in 2001, and plan to reread The Adventures of Augie March after I finish it.

Will this be the thread that pulls in the words, images, emotions, and ideas I think I’m missing? I don’t know. Salmon Rushdie said, “[Bellow’s] body of work is more capacious of imagination and language than anyone else’s.”

Capacious of imagination. I love that! It seems like a great place to begin.

resistance is not always futile

Although I was present, of course, I can neither confirm nor deny the details. My mother claimed that when I was born in a Catholic hospital, a nun was at her head praying, while the doctor at her other end was cursing. There I was: smack in the middle between the sacred and the profane, trying like hell to resist the inevitable. Resistance is my middle name. Well, Louise was my actual middle name, but I resisted that, too, until I finally disposed of it in the giddy cauldron of post-hippie San Francisco back in the 70s.

My infant self reportedly screamed so loudly and so often that my mother was convinced the neighbors thought she was beating me. She wasn’t, but she did have an overriding desire to make a good impression (at least on non-family members), so my caterwauling did nothing to help our relationship get off on a good footing. That and the fact I wasn’t a boy. As for me, I can only imagine I was stunned to discover my karmic misfortune and was shouting a loud “Nooooo!” of protest back to the universe.

There’s a saying in therapeutic circles that what you resist persists. But I say what you resist is often less likely to get the better of you.

My parents were adherents of the do-as-I-say-not-as-I-do school of parenting. They employed an extremely colorful vocabulary during their fights over money, time, and my father’s numerous peccadilloes. The language my mother used on the three of us kids when she was angry would be considered abusive today. When she ran out of real curse words, she made up new ones, which I found hysterically funny. But I was puzzled when they blamed me for teaching my two younger brothers to curse. Where did they imagine I’d picked up those words?

As soon I was old enough to formulate complete sentences—and watch TV—I decided the only possible explanation for my situation was that I was adopted. Roy Rogers and Dale Evans were my real parents. My mother and father played their roles in public well enough to pass, but they were so unqualified for the job I couldn’t take them seriously. I tried to reason with my mother and even gave her parenting tips from time to time (“You’re the mother; I’m the child,” “try not to get involved in our fights,” etc). When that failed, I told her she was immature.

My father was a traveling salesman for a hardware company and wasn’t usually home during the week. He may have been the actual subject of all those traveling salesman jokes: a good-looking smooth-talker with a million lines (i.e. lies) and a gal in every town.

My mother said he even fooled around on their honeymoon, and I don’t find that hard to believe. He had several long-term girlfriends, of which Bonnie was the most memorable, being the mother of my half-sister, Kelly, whom I’ve never met. Bonnie, who lived in Battle Creek—or Battle Crick—as my mother mockingly referred to it, habitually planted items of underwear in various motels where she stayed with my father registered as his wife. When a piece of lingerie was “found,” it was “returned” to my mother, along with a courteous note.

My mother was not amused. As I was her primary sounding board, she filled my head with sordid details I knew I shouldn’t be hearing. She also tried to get me to listen in on Dad’s telephone calls, but they were so inane I refused to waste my time. I would later find myself on the other end of Mom’s Spy vs. Spy intrigue as a result of my propensity for making “undesirable” friends—which reflected badly on her. After she forbade me to see a particular boyfriend (wrong race), she sent my youngest brother to follow me on his bicycle whenever I left the house. Of course, I never allowed her designs and devices to affect my choice of friends.

My parents often disappointed and infuriated me, but then I also find cloudy days disappointing and infuriating. Resisting my parents helped me learn how to think for myself—and to have, in spite of the odds, a pretty happy childhood—which is more success than I’ve had resisting the weather.

alive in the world

duskFor the past few days, I’ve been feeling almost normal, by which I mean less at the effect of the heart conditions that usually diminish my vitality to a greater or lesser extent. “Feeling like myself” is a transient state, unpredictable in occurrence, that I never take for granted.

So I went for a walk shortly after the sun set this evening. I noticed the fresh, cool air on my face. Paid attention to the glow of all the different lights: streetlights, headlights, lights in the windows of apartments and houses. Observed shadows, leaves on the ground, the first few faint stars, pastel colors fading in the Western sky. I heard a few scattered voices, a small dog barking, exchanged a greeting with a stranger I crossed paths with. I felt the lightness in my body, the feeling of exertion and of satisfaction.

I was reminded of that song from the 80s, Break My Stride:

Ain’t nothin’ gonna break-a my stride
Nobody gonna slow me down, oh no
I got to keep on movin’
Ain’t nothin’ gonna break-a my stride
I’m running and I won’t touch ground
Oh no, I got to keep on movin’

It’s a good theme song for me in Mountain Standard Time. Hope it’ll hold me til March 14, 2021!

 

“if you don’t get a new piano, Keith can’t play”

keith jarrettJanuary 1975. The Cologne Opera House where Keith Jarrett was about to perform for 1400 people—without rehearsing and without sheet music—had provided the wrong piano.

This one had this harsh, tinny upper register, because all the felt had worn away. The black notes were sticking, the white notes were out of tune, the pedals didn’t work and the piano itself was just too small. It wouldn’t create the volume that would fill a large space such as the Cologne Opera House. 

Jarrett left the building.

The concert promoter was a 17-year-old named Vera Brandes. It was her first concert. She went outside into the rain and found Jarrett sitting in his car. Somehow she persuaded him to come back inside and play the unplayable piano.

The rest, as they say, is history.

The Köln Concert is the best-selling piano album in history and the best-selling solo jazz album in history.

There is no audio file of that concert available to link to. But you can listen on You Tube to the entire Bremen Concert, which was recorded the following month and is equally sublime.

Disruptions help us solve problems; they help us become more creative. But we don’t feel that they’re helping us. We feel that they’re getting in the way … and so we resist. But all of us, from time to time, need to sit down and try and play the unplayable piano. 

Our comfort zones are not the best environments for creativity and innovation.


Note: Italicized portions are quotes from a TEDGlobal London talk by Tim Harford on how frustration can make us more creative.

happy new year 1978!

Just wanted to post this short excerpt from Skin of Glass, the novel I may yet undertake to get published.

BillieThere isn’t anywhere in Chicago he can’t get to by taxi or public transportation, so David hasn’t bothered to get another car since moving here. There’s a bus stop half a block from the entrance to his office and another one directly across from his apartment building. Of course taking the bus means waiting for the bus, which is what he’s doing right now, and lately that means risking freezing to death. Once he finally boards, finds a seat, and thaws enough to stop shivering uncontrollably, the bus is nearing his stop.

He rises to join the queue in front of the exit door, steeling himself against the inevitable. The bus jerks to a halt, and the side doors screech open. A blast of frigid air reaches into the heated vehicle and sucks him into its vortex. Gloved, hatted, and wrapped tight as a mummy against the chill wind blowing off Lake Michigan, he steps down to the street. In seconds, his lips are numb.

Bent forward against the force of the wind, he strides across Grand Avenue to the entrance of his building, a seventy-story glass and steel monument to Modernism. The sun is almost gone, but it was so weak and watery it made little difference. The temperature hasn’t been above freezing for the past few days. With the wind chill factor, it’s actually below zero. At least most of the snow from the last storm has been cleared away.

The doorman is wearing earmuffs under his maroon cap and a scarf wrapped snugly around the lower half of his face. Only his eyes and red-tipped nose are visible. He shouts a muffled but cheery “Happy New Year” to David, and David nods in return. On the elevator heading up to the thirty-sixth floor, he feels the familiar tingling in his extremities that accompanies a rapid change of temperature. He unwinds the gray and black woolen scarf from around his neck and unbuttons his charcoal overcoat. Once inside his apartment, he warms some brandy and sips the soothing liquid as he turns on lights and music before taking up his post in front of the bay window overlooking the wasteland below.

The first apartment he was in had a view of Lake Michigan and the marina. What could have possessed him to take that place? Some harebrained notion he might get another boat? Not likely. As soon as he was able to arrange it with management, he moved to this side of the building, paying a hefty fee for the privilege of altering his lease. It was worth it.

He stares morosely at the desolate scene below. Here and there, between the hard-packed gray remnants of snow, are dun-colored patches of earth barren of grass. Black skeletons of trees seem to be railing against the hostile gray sky. He’d actually hoped for snow to transform Chicago into something soft and white, sparkling, totally alien to his past associations with the holidays. He’s cured of any desire for snow now.

Well, if he can’t blot out the dreary landscape outside, he can do his best to blot out his equally dreary inner landscape.

He’s been invited to several New Year’s Eve parties but hadn’t decided whether to drink alone at his club or in a crowd at one of the parties. But now that he’s home, there’s no way he’s going out again. Anywhere. Unless someone were to resurrect Coltrane. Or Miles were to come to his senses and stop playing rock and roll. And either one of them were foolish enough to put on a show tonight in this frigid, godforsaken place. He’s got plenty to drink right here. Besides, a person could freeze to death out there, and he’s not quite suicidal yet.

He hasn’t looked at his mail for a couple of weeks because he doesn’t want to see cards from California. This is the first time he’s spent the holidays alone. But it isn’t being alone he minds so much; it’s anything that reminds him of home.

Billie Holiday’s strangely lyrical seen-it-all voice is crooning Yesterdays on his stereo. It doesn’t really matter what the words are, her voice always seems to let you know she’s right there in the same miserable place you are. She sounds as if she always knew the way it would end for her. The way it’s going to end for you, too, baby. And there’s not a damned thing you can do about it so you might as well stop trying.

Not that he’s really trying.

a garden of literary delights

five books (2)That’s what I discovered at the website Five Books: The Best Books on Everything. I can’t believe it took me this long to find it! But at least now I know I will never run out of ideas about what to read.

As the site says:
We ask experts to recommend the five best books in their subject and explain their selection in an interview. This site has an archive of more than one thousand interviews, or five thousand book recommendations. We publish at least two new interviews per week.

The 1,000+ interviews are organized into 18 categories, including philosophy, history, fiction, politics, science, psychology, environment, and music and drama. Under the subheading of literary nonfiction and biography, I found this interview with writer and journalist Peter Hessler, who recommended the best of narrative nonfiction. His selections were:

  • Coming into the Country by John McPhee
  • Among Schoolchildren by Tracy Kidder
  • Slouching Towards Bethlehem by Joan Didion
  • A Capote Reader by Truman Capote
  • Son of the Morning Star by Evan Connell

The only book in that list that I’ve read is Slouching Towards Bethlehem (along with Play It as It Lays and The Year of Magical Thinking, also by Didion). Last month I watched The Center Will Not Hold, the 2017 documentary that told some stories about her I could sync to a few of my own memories of those times. None of our stories are true stories, but some are better than others. And Joan Didion is a very good storyteller.

I plan to read Among Schoolchildren because I enjoyed House so much that I still have a copy of it after several major book purges. I’d like to read some of Kidder’s other books, too, especially Strength in What Remains.

If you’re interested in pretty much anything, you’ll probably enjoy this site—and you’re likely to find some new interests there, too. Besides, curiosity and learning new things—including new concepts—expands your mental model, keeps your brain young, and improves your emotional granularity!

choose your summer reading

reading a book

If you’re in the habit of reading lots of fiction, you’re in the minority—and ahead of the game. You’re already reaping the many significant benefits of reading for your body, your brain, and your emotional and social well-being.

If you tend to stick to non-fiction, however, or most of your reading involves a digital device, now may be the time to spruce up your reading habits.

Here are three things to keep in mind when deciding what to read next:

  1. Choose fiction over non-fiction.
  2. Even better, choose literary fiction.
  3. Choose print over digital.

If you don’t know where to start, or what constitutes literary fiction, here are half a dozen suggestions—personal favorites I’ve read more than once—and a link to a post with their opening paragraphs:

  • Out Stealing Horses by Per Petterson
  • The Fruit of Stone by Mark Spragg
  • Snow Falling on Cedars by David Guterson
  • One Hundred Years of Solitude by Gabriel Garcia Marquez
  • The God of Small Things by Arundhati Roy
  • Time Will Darken It by William Maxwell

Who are your favorite authors and what novels have you read more than once?

Happy reading!

from my newsletter lucidwakings

making things up: names and games

Kalkaska

The first thing kalkaskaI remember making up was a new name for my brother, Mark, who was born when I was three years old. I imagine I was not happy with all the attention he received merely for existing. When visitors thought they were being cute by asking me what my baby brother’s name was, I hissed “Kalkaska” and stomped out of the room. It was the name of a place where my father and his friends went hunting and the ugliest word I knew at the time. A few years later, I invented numerous ways to torture my brother, such as sending him out into the neighborhood dressed as an old woman.

brother-2.jpg

The look says it all: I still don’t get the point.

When my mother was expecting her third child, I was coincidentally agitating for a puppy. She suggested we have the new baby first and get a puppy the next year. I briefly considered the idea. But after my experiences with sibling number one, I decided it would be better to get the puppy first and a baby—if we absolutely had to have one—the following year. Needless to say, that didn’t work out the way I wanted it to. And it was another boy.

a proclivity for morbidity

During elementary school, I was the oldest of the neighborhood gang and both bossy and creative. After our ordinary games grew boring, I made up things for us to do. My parents’ backyard had several features that lent themselves nicely to these activities. The built-in brick barbecue grill, for example, had a large flat surface that proved ideal as a make-believe morgue slab. We kids took turns playing the “dead man” by simulating a deceased person spread out on top of the slab/grill, the cannibalistic aspects having escaped me at the time. Everyone else formed a semicircle around it chanting, “Dead man, dead man, come alive; come and catch me with your big green eyes.”

It was not poetry and it didn’t make a lot of sense, but it was great fun. The rest of us had to remain in place chanting away (there were more verses) until the dead man jumped up and started chasing us. The kid who was caught became the next dead man. As with any game, there were rules. In this case, lots of rules. In fact, we had frequent “rule breaks” to decide important matters, such as which neighbor’s backyard we were “legally” allowed to cross into.

a star is born?

ticketThen there was the wooden picnic table that served as a stage for several variety shows, in which all the other kids performed—complete with costume changes—to an audience of ticket-buying parents and neighbors. I was the writer/director/stage manager/promoter, and general whip-cracker. This was not unlike some of my later roles in life.

The shows were a natural extension of my playwriting hobby that began when I was quite young. I painstakingly printed every word of dialogue and stage direction, completing well over a hundred “great works,” all of which are long gone. I can imagine—although I can’t remember doing so—ceremoniously dumping them into the trash one day, upon deciding I’d outgrown that phase. It’s something I would have done.

and we get credit for this?

Still in elementary school, I volunteered for the Entertainment Committee one year. My co-chair and I were given specific dates—holidays and such—for which we were to provide some sort of entertainment for the class. We could do just about anything we wanted to do—and in front of a captive audience! Our stellar events included three plays that I wrote, cast, costumed, directed, and rehearsed in the coat room in the back of the classroom. We were excused from class for rehearsal. I couldn’t believe what an incredible racket we got to run.

The first two plays were, let’s say, not a complete success. By Christmas, though, I had it down. That play went off without a hitch and received sustained applause. Props included baked sugar cookies, which one of the actors frosted with real frosting I brought to school in one of my mother’s aqua Pyrex mixing bowls.

the unbirthday parties

My favorite creation from that time period was the series of unbirthday parties. One weekday near the beginning of summer, my next-door neighbor and I were trying to get her little brother to leave us alone so we could clean out a room in the basement of her house. I bribed him by promising we would have a birthday party for him later if he would go away now.

unbirthdayHe went for it and left us to our labors. When we finished, we talked my friend’s mother, who was a stay-at-home mom and a good sport, into helping us with the party. I will never forget that cake. I think it was one of my friend’s pre-Easy-Bake toy oven mixes because it was very small. The inside was chocolate and vanilla marble. The outside was covered in Kelly Green frosting and multicolored sprinkles. It was a cake only a kid could truly appreciate—or look at without gagging.

We all bought presents from the dime store and wrapped them before the party, which of course was held in the freshly cleaned and festively decorated room in the basement. It was such a blast that all the other kids wanted parties, too. There were seven of us altogether, so for the better part of two months we had weekly unbirthday parties, each one slightly more elaborate than the last. Both moms had to get involved when it was finally time for my party.

a rose by any other name would still call her brother Kalkaska

Eventually, I developed somewhat of a reputation in regard to my ring-leading nature and choice of activities, especially with my neighbor friend’s father. Whenever he thought something we were into was the least bit odd, he could be heard muttering that it must have been Joycelyn’s idea. Only he didn’t call me Joycelyn because that’s not the name my mother gave me. That’s the name I made up for myself some 40-odd years ago.

the flavor of my reflection

OLYMPUS DIGITAL CAMERAUnavoidably, time passes, things change, and the end of a year often brings up reflections on the differences between then (whenever that was) and now. I recently came across this post written in July 2009 for a previous blog and was taken aback by just how much things have changed since I wrote it.

rocking my world with nam sod

I found when I awoke on the dirty floor of our garage, with blood coming out of my nose and Zak frantically shaking me . . . that I had a sudden craving for nam sod. —Barbara Fisher, in her food blog, Tigers & Strawberries

Too funny! I was already thinking about nam sod when I came across this line, and it made me laugh out loud. Nam sod—a Thai salad made with ground pork, ginger, red onion, lemon or lime juice, the obligatory fish sauce, cilantro, and chili peppers, garnished with peanuts and served on lettuce leaves—is definitely one of the seven food wonders of my world. It has that combination of cilantro and ginger that transports me to another dimension, at least as prepared by Orchid Thai restaurant in San Anselmo, California. Some recipes call for mint in addition to, or (horror!) in place of the cilantro. Orchid Thai eschews the mint; I’m fine with that.

I got to share an order of nam sod when I visited the Bay Area last month, and my traveling companion, who’d never tasted it before, unfortunately found it nearly as delicious as I do. I would have been willing to consume her portion had she not found it to her liking. Still, half an order of nam sod is better than no nam sod at all. When I lived in the Bay Area, I’d go to Orchid Thai on my birthday to have this dish. Nam sod would be what I’d want as a last meal, although hopefully no one will be asking me to make that choice any time soon.

The name sort of sounds like something you’d shout while raising your fist—or a sword—into the air: Nam sod! Right? Which is exactly how I feel every time the waiter sets a plate of it down in front of me. Nam sod!


Well, I became vegetarian over three years ago, so it’s been quite a while since I’ve tasted nam sod. Yes, the idea of it still kind of makes my mouth water, but no, I wouldn’t eat it even if a beautifully garnished serving were placed in front of me.

In February of this year, I was diagnosed with a couple of heart conditions. The meds I’m on as a result require some dietary restrictions. I’m not, for example, supposed to have any cilantro or ginger. I attempt to be reasonable, but I can’t say I’m 100% compliant.

Even worse, Orchid Thai is no longer in business. On the one hand, that does make it a little easier to come to terms with never having nam sod again, since theirs was the best. On the other hand, they served other dishes that I would really like to taste again. There were definitely more delicious meals to be enjoyed there.

Finally, the traveling companion of this story—my friend, Patricia—passed away last week. We had many good times together after the hiking trip that took us from Albuquerque to the Bay Area and to dinner at Orchid Thai. And as it happens there’s a restaurant in Albuquerque named Thai Orchid that we frequented numerous times. But it wasn’t quite the same. Patricia and I definitely had more adventures left in us, more trips to take, more meals to enjoy.

In the spirit of the original post, here’s to good food, good hiking, and good friends. Nam sod, Patricia. Nam sod!

best five minutes of a perfect day

Pt.Reyes4It’s the middle of April, and I have been hiking a six-mile loop of trails at Bear Valley Trailhead in Point Reyes National Seashore: Bear Valley trail to Pine trail to Sky trail, and back on Bear Valley.

The best five minutes are in the early afternoon, when I’m about half-way and coming out of the trees and into the open.

The ground right here is hard and full of rocks and small stones instead of soft with the pine needles I’ve been walking on. The sun overhead is bright and glaring; it’s hot and I’m sweating hard.

In the mid-distance is Mount Wittenberg, but about an eighth of a mile ahead, the trail smooths out and winds to the left around a low hill completely covered in golden poppies waving and shimmering in the light breeze. It’s an amazing sight you don’t get to see unless you’ve worked for it, since it’s a considerable climb no matter which way you come up.

I’ve been anticipating this and I never, ever tire of it. I push ahead until the poppy-covered hill is on my right and a gradual, rolling, dark green, and lush drop-off on the left exposes specks of tents and tables from Sky Camp far below.

Beyond that is the blue-green water of Drake’s Bay lapping at the shore, sunlight rippling the surface. I’m so thirsty I stop and take a long drink of water from the plastic bottle in my backpack. The water’s warm but I gulp it, marveling at how much better water tastes when I’m hiking than at any other time.

I stand still, gazing at the distant water and letting the sweat evaporate from my skin. I smell the dust of the trail and the pine trees. I turn to look at the poppies again, drinking in the sight as a couple of orange and yellow butterflies flit in and out among them.

That’s paradise to me.

What are the best five minutes of your perfect day?

Post Navigation